May 7, 2026

👍 All Good 😊 | A Gentle Story for Sleep and Quiet Evenings

👍 All Good 😊 | A Gentle Story for Sleep and Quiet Evenings

In this cozy, relaxing sleep story, we follow a familiar drive along a quiet coastal highway, where small details begin to stand out in gentle, unhurried ways. The road curves out of the village, passing open stretches of land, rocky edges, and peaceful roadside views that feel both ordinary and comforting.

Along the way, a simple message painted onto a rock face becomes something more than just words. It’s not polished or perfect, but it lingers. A quiet presence on a well-traveled road, offering a moment of pause without asking for anything in return.

This calming bedtime story is perfect for winding down, easing anxiety, or simply enjoying a slower pace at the end of the day. With soft imagery and steady narration, it invites you to settle into the rhythm of the drive, noticing the familiar, the overlooked, and the small moments that stay with us longer than expected.

As the journey continues—through a visit with a friend and back home again—the message finds its way into everyday spaces, becoming part of a quiet routine. A photo on the mirror, a note on the fridge, a card sent without occasion. A reminder that even the simplest gestures can carry meaning.

This story is ideal for sleep, relaxation, and anyone who enjoys gentle storytelling, cozy atmosphere, and reflective moments drawn from everyday life.

Close your eyes, settle in, and let the road carry you.

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Copyright Jennifer Veinot (Zwicker) 2026

#TheSlowLifePodcast #CozyStorytelling #cozypodcast #cafelistening #SlowLiving #BedtimeStory #morningroutine2026 #RelaxingPodcast #CalmAmbience #CozyListening #canadianpodcast #novascotia #cosystory #relaxingpodcast #sleepstory #lunenburg #soothingbedtimestory #canadianpodcast #sleepstories #creativepodcaststory #sleepstory #bedtimepodcast #sleeppodcast #gentlestorytelling #novascotiapodcast #lgbtqsleepstory #pridepodcast #paintlove #drivingasmr #asmrsound #asmrstories #allgood #halifaxnstravel #positivegraffiti #chesterns

1
00:00:02,009 --> 00:00:06,380
Welcome to the Slow Life.
I'm Jennifer Vino and.

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00:00:06,390 --> 00:00:10,690
I create narrate.
And design the soundscape.

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00:00:10,700 --> 00:00:13,820
Of this village of cozy stories
to.

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00:00:13,830 --> 00:00:17,700
Relax and unwind.
Each week.

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00:00:17,710 --> 00:00:20,720
I share.
An original story read.

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00:00:20,730 --> 00:00:24,600
Two times so you can relax.
Even more during.

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00:00:24,610 --> 00:00:30,130
The second reading I also create
micro.

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00:00:30,140 --> 00:00:34,500
Experiences inspired by the
stories you hear.

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00:00:35,540 --> 00:00:40,120
These are short.
Gentle reading moments designed

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00:00:40,130 --> 00:00:45,000
to help you slow down and rest
in the village for as long as

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00:00:45,010 --> 00:00:49,530
you like.
They're available now to enjoy

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00:00:49,540 --> 00:00:54,650
on screen or on paper,
individually or in small

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00:00:54,660 --> 00:00:57,770
bundles.
Through the slow life dot.

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00:00:57,860 --> 00:01:05,470
CA under the shop tab.
Let's settle in with some easy

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00:01:05,480 --> 00:01:10,450
breathing at your own pace with
each inhale.

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00:01:10,520 --> 00:01:14,330
Let fresh air fill the space.
Around your heart.

17
00:01:15,880 --> 00:01:19,390
With each.
Exhale, feel the calm air.

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00:01:19,400 --> 00:01:22,810
Spread through your body and
flow out.

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00:01:22,870 --> 00:01:27,840
Through your arms and legs,
gently in.

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00:01:27,900 --> 00:01:32,710
Through your heart.
Gently out through.

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00:01:32,720 --> 00:01:40,970
Your body in through your heart.
Out.

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00:01:41,040 --> 00:01:47,260
Through your body.
And now let's begin.

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00:01:50,700 --> 00:01:53,890
This story is called All.
Good.

24
00:01:54,100 --> 00:01:56,030
And it's.
About a drive.

25
00:01:56,040 --> 00:01:59,530
To visit a friend.
Simple words.

26
00:01:59,980 --> 00:02:07,770
And flower magnets.
The road curves as I drive out

27
00:02:07,780 --> 00:02:10,009
of the village.
The last.

28
00:02:10,020 --> 00:02:14,700
Few houses thinning out into
open stretches of land.

29
00:02:16,430 --> 00:02:20,760
I passed the familiar turnoffs
without thinking about them.

30
00:02:21,640 --> 00:02:23,810
Small side.
Roads that lead.

31
00:02:23,820 --> 00:02:29,650
Somewhere quieter, somewhere
tucked away, the highway

32
00:02:29,660 --> 00:02:33,650
continues forward bordered.
By low brush.

33
00:02:33,700 --> 00:02:39,160
And rock the surface worn smooth
in places where weather has

34
00:02:39,170 --> 00:02:44,590
changed it over time.
The morning sky has been

35
00:02:44,600 --> 00:02:47,210
overcast but begins.
To clear.

36
00:02:47,220 --> 00:02:53,060
As I go along the sunlight.
Starts to fill the car without

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00:02:53,070 --> 00:02:55,850
glare.
Brightening the curves.

38
00:02:55,860 --> 00:02:59,110
Of the dashboard.
And the steering wheel in my

39
00:02:59,120 --> 00:03:02,400
hands.
I drive this.

40
00:03:02,410 --> 00:03:06,080
Way often enough that certain
points along.

41
00:03:06,090 --> 00:03:10,120
The road arrive.
In sequence, each one bringing a

42
00:03:10,130 --> 00:03:13,240
smile, not just marking
progress.

43
00:03:13,310 --> 00:03:17,840
On my way.
A bend in the road that opens.

44
00:03:17,850 --> 00:03:20,240
To a wider view.
A.

45
00:03:20,250 --> 00:03:22,860
Stretch where the.
Trees pull back.

46
00:03:22,930 --> 00:03:26,380
To reveal.
Open fields where deer and

47
00:03:26,390 --> 00:03:29,100
sometimes even moose can be
spotted.

48
00:03:30,740 --> 00:03:35,210
Tiny and Nook shooks, looking
like small figures watching.

49
00:03:35,220 --> 00:03:37,460
Over the drivers.
From above.

50
00:03:38,580 --> 00:03:41,090
And then there is the.
Rocky Cliff.

51
00:03:41,640 --> 00:03:47,430
It comes up on the left side,
not very high, but big enough to

52
00:03:47,440 --> 00:03:52,300
stand out in the landscape.
The surface of it.

53
00:03:52,310 --> 00:03:56,100
Is uneven layered in.
Places with.

54
00:03:56,110 --> 00:03:58,720
Patches of lichen.
That decorate the.

55
00:03:58,730 --> 00:04:02,450
Stone.
Around them it stands.

56
00:04:02,460 --> 00:04:05,150
Close to the.
Road and I know it's.

57
00:04:05,160 --> 00:04:10,690
There before I see it.
I find myself looking towards.

58
00:04:10,700 --> 00:04:12,350
It as I.
Approach.

59
00:04:12,460 --> 00:04:16,589
Not wanting to miss it, the car
moves.

60
00:04:16,600 --> 00:04:20,890
Forward at a steady pace.
And the Cliff begins to come

61
00:04:20,899 --> 00:04:24,350
into view in pieces.
The edge of it.

62
00:04:24,360 --> 00:04:27,030
First, then more.
Of the surface.

63
00:04:27,040 --> 00:04:32,580
As the angle opens.
The words are there, just as

64
00:04:32,590 --> 00:04:35,980
they always are.
All good.

65
00:04:37,590 --> 00:04:41,660
They're painted in simple
letters, white against.

66
00:04:41,670 --> 00:04:45,300
The darker rock, not perfectly
straight.

67
00:04:45,650 --> 00:04:47,460
Not.
Measured or spaced.

68
00:04:47,470 --> 00:04:52,180
In any precise way, but not
messy, and they're perfectly.

69
00:04:52,190 --> 00:04:56,930
Legible.
The lines are slightly uneven,

70
00:04:57,140 --> 00:05:01,980
as if they were done without
hesitation, painted directly

71
00:05:01,990 --> 00:05:03,680
onto.
The surface without.

72
00:05:03,690 --> 00:05:07,960
Planning.
There is no decoration around

73
00:05:07,970 --> 00:05:13,580
them, no underline, no added
marks, nothing to frame or

74
00:05:13,590 --> 00:05:16,960
emphasize them.
Just the words.

75
00:05:16,970 --> 00:05:23,260
Themselves set plainly against
the stone, I pass them at the

76
00:05:23,270 --> 00:05:24,920
same.
Speed I always.

77
00:05:24,930 --> 00:05:27,860
Do slowing down.
Just a bit.

78
00:05:27,930 --> 00:05:32,090
With no one around me.
The phrase stays.

79
00:05:32,100 --> 00:05:36,590
With me as I go by.
The shape of it clear.

80
00:05:36,660 --> 00:05:42,930
Even as it moves out of view, I
continue along the road.

81
00:05:43,000 --> 00:05:46,990
The Cliff.
Disappearing behind me, replaced

82
00:05:47,000 --> 00:05:52,740
again by trees and open.
Stretches the drive, carries.

83
00:05:52,750 --> 00:05:54,410
On.
The words.

84
00:05:54,420 --> 00:05:57,440
Still in my head.
All good.

85
00:05:58,890 --> 00:06:01,470
I think about how.
Simple it is.

86
00:06:01,910 --> 00:06:04,480
How?
It doesn't need to be explained

87
00:06:04,490 --> 00:06:10,520
or expanded into anything more.
It doesn't suggest that anything

88
00:06:10,530 --> 00:06:15,040
needs to change right now.
It just exists.

89
00:06:15,100 --> 00:06:18,870
Complete on its own.
The road.

90
00:06:18,880 --> 00:06:20,230
Leads me.
The rest?

91
00:06:20,240 --> 00:06:24,050
Of the way to my friend's place.
Where we visit for a few.

92
00:06:24,060 --> 00:06:29,550
Hours, then gradually brings me
back again, looping through the

93
00:06:29,560 --> 00:06:36,220
familiar reverse pattern of the
drive when I return the same

94
00:06:36,230 --> 00:06:38,280
way.
The Cliff appears.

95
00:06:38,290 --> 00:06:43,920
Again, now on my right side, the
angle slightly different.

96
00:06:43,970 --> 00:06:50,330
But the words still clear.
This time, as I approach, I slow

97
00:06:50,340 --> 00:06:54,350
down even more and pull over on
the shoulder.

98
00:06:55,490 --> 00:07:00,160
I reach for my phone in my purse
and put the passenger side

99
00:07:00,170 --> 00:07:03,410
window down.
I hold it.

100
00:07:03,420 --> 00:07:05,810
Steady framing.
The words.

101
00:07:05,820 --> 00:07:11,030
Without adjusting too much, I
press the button once, then

102
00:07:11,040 --> 00:07:17,600
again taking a second image.
Without checking the 1st, I take

103
00:07:17,610 --> 00:07:19,180
another.
Look at the real.

104
00:07:19,190 --> 00:07:25,740
Thing before pulling back onto
the highway the moment passes in

105
00:07:25,750 --> 00:07:27,860
the same way it.
Always does.

106
00:07:28,410 --> 00:07:33,250
The Cliff receding behind me,
the road unfolding ahead,

107
00:07:34,710 --> 00:07:37,990
Instead of going straight home,
I turned.

108
00:07:38,000 --> 00:07:39,710
Toward the village.
Centre.

109
00:07:41,100 --> 00:07:43,590
I see the store is still.
Open.

110
00:07:43,670 --> 00:07:47,550
So I park.
Go in and move straight to the

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00:07:47,560 --> 00:07:53,310
small photo counter at the back.
The space is quiet.

112
00:07:53,620 --> 00:07:57,120
Only the low hum of the machines
can be heard.

113
00:07:58,590 --> 00:08:03,680
I connect my phone, select the
image without adjusting it, and

114
00:08:03,690 --> 00:08:09,060
choose a convenient size.
The Prince began almost

115
00:08:09,070 --> 00:08:15,130
immediately, sliding out 1 by 1,
still slightly warm.

116
00:08:16,390 --> 00:08:19,700
I.
Gather them together, noticing

117
00:08:19,710 --> 00:08:23,270
uneven lines, the spacing, the
way.

118
00:08:23,280 --> 00:08:29,340
Nothing about it feels planned.
It looks the same as it did on

119
00:08:29,350 --> 00:08:33,010
the roadside.
An uncomplicated message.

120
00:08:34,570 --> 00:08:39,360
I take them to the counter, pay
and step back outside.

121
00:08:40,299 --> 00:08:44,530
I paused beside the.
Car looking down at the small

122
00:08:44,540 --> 00:08:49,790
stack in my hands before placing
them carefully on the passenger.

123
00:08:49,800 --> 00:08:54,030
Seat.
At home, the familiar quiet

124
00:08:54,040 --> 00:09:00,320
meets me at the door as I set my
keys down and slip off my shoes.

125
00:09:01,920 --> 00:09:06,770
I take one of the photos and
carry it to my bedroom, setting

126
00:09:06,780 --> 00:09:11,330
it on the mirror, tucking it
gently into the corner of the

127
00:09:11,340 --> 00:09:16,650
frame so it stays in place.
It sits there.

128
00:09:16,700 --> 00:09:18,290
Becoming part.
Of what I'll.

129
00:09:18,300 --> 00:09:23,300
See each morning and now there
it goes on to.

130
00:09:23,310 --> 00:09:27,220
The fridge.
Held in place with small flower

131
00:09:27,230 --> 00:09:33,020
magnets, it blends in with
everything else already there,

132
00:09:33,110 --> 00:09:37,900
but still stands old enough to
catch my attention each time I

133
00:09:37,910 --> 00:09:42,760
pass the words.
Simple and encouraging among the

134
00:09:42,770 --> 00:09:48,660
movements of the day.
The last one I place into a

135
00:09:48,670 --> 00:09:54,380
simple greeting card.
No occasion, no reason beyond

136
00:09:54,390 --> 00:10:00,080
wanting to pass it on.
I slide it in carefully.

137
00:10:00,120 --> 00:10:03,960
Close the card.
And set it aside to mail it to

138
00:10:03,970 --> 00:10:09,620
my friend I'd been to see.
To day, I think of the words on

139
00:10:09,630 --> 00:10:13,010
the rock face and the times.
I drive by.

140
00:10:13,020 --> 00:10:17,610
Without spotting them maybe?
The traffic is.

141
00:10:17,620 --> 00:10:23,170
Heavier or something else is on
my mind, but it never.

142
00:10:23,180 --> 00:10:26,130
Fails.
That I remember them somewhere

143
00:10:26,140 --> 00:10:30,120
along the road.
That someone took the time to

144
00:10:30,130 --> 00:10:35,650
paint those words, leaving them
there for anyone passing by,

145
00:10:36,960 --> 00:10:40,550
even if it isn't all good in
that moment.

146
00:10:40,920 --> 00:10:46,060
Their effort and choice of kind
words remind me that we're all

147
00:10:46,070 --> 00:10:48,250
moving.
Through this together.

148
00:10:48,940 --> 00:10:56,860
Finding our way as we go.
All good.

149
00:11:00,440 --> 00:11:04,070
The road curves as I drive out
of the village.

150
00:11:04,460 --> 00:11:07,870
The last.
Few houses thinning out into

151
00:11:07,880 --> 00:11:14,220
open stretches of land.
I passed the familiar turnoffs

152
00:11:14,230 --> 00:11:17,950
without thinking about them.
Small side.

153
00:11:17,960 --> 00:11:21,440
Roads that lead.
Somewhere quieter, somewhere

154
00:11:21,450 --> 00:11:27,530
tucked away, the highway
continues forward bordered.

155
00:11:27,540 --> 00:11:32,470
By low brush.
And rock the surface worn smooth

156
00:11:32,480 --> 00:11:33,730
in.
Places where?

157
00:11:33,740 --> 00:11:36,160
Weather.
Has changed it over time.

158
00:11:38,060 --> 00:11:41,730
The morning sky has been
overcast but begins.

159
00:11:41,740 --> 00:11:46,180
To clear.
As I go along the sunlight.

160
00:11:46,190 --> 00:11:48,890
Starts to feel the car without
glare.

161
00:11:49,580 --> 00:11:52,410
Brightening the curves.
Of the dashboard.

162
00:11:52,520 --> 00:11:54,950
And the steering wheel in my
hands.

163
00:11:56,610 --> 00:12:00,320
I drive this.
Way often enough that certain

164
00:12:00,330 --> 00:12:02,560
points along the.
Road arrive.

165
00:12:02,570 --> 00:12:07,560
In sequence, each one bringing a
smile, not just marking

166
00:12:07,570 --> 00:12:09,340
progress.
On my way.

167
00:12:10,720 --> 00:12:14,510
A bend in the road that opens.
To a wider view.

168
00:12:15,290 --> 00:12:16,480
A.
Stretch where the.

169
00:12:16,490 --> 00:12:19,000
Trees pull back.
To reveal.

170
00:12:19,010 --> 00:12:23,700
Open fields where deer and
sometimes even moose can be

171
00:12:23,710 --> 00:12:28,080
spotted.
Tiny and Nook shooks, looking

172
00:12:28,090 --> 00:12:31,850
like small figures watching.
Over the drivers.

173
00:12:31,860 --> 00:12:35,110
From above.
And then there is the.

174
00:12:35,120 --> 00:12:39,690
Rocky Cliff.
It comes up on the left side,

175
00:12:39,730 --> 00:12:44,760
not very high, but big enough to
stand out in the landscape.

176
00:12:46,190 --> 00:12:49,980
The surface of it.
Is uneven layered in.

177
00:12:49,990 --> 00:12:52,960
Places with patches.
Of lichen.

178
00:12:52,970 --> 00:12:55,220
That decorate the.
Stone around them.

179
00:12:56,790 --> 00:13:00,360
It stands close to the road and
I know it's.

180
00:13:00,370 --> 00:13:05,910
There before I see it.
I find myself looking towards.

181
00:13:05,920 --> 00:13:07,570
It as I.
Approach.

182
00:13:07,680 --> 00:13:11,810
Not wanting to miss it, the car
moves.

183
00:13:11,820 --> 00:13:16,110
Forward at a steady pace.
And the Cliff begins to come

184
00:13:16,120 --> 00:13:19,590
into view in pieces.
The edge of it.

185
00:13:19,600 --> 00:13:22,250
First, then more.
Of the surface.

186
00:13:22,260 --> 00:13:27,800
As the angle opens.
The words are there, just as

187
00:13:27,810 --> 00:13:31,200
they always are.
All good.

188
00:13:32,810 --> 00:13:36,880
They're painted in simple
letters, white against.

189
00:13:36,890 --> 00:13:40,530
The darker rock, not perfectly
straight.

190
00:13:40,870 --> 00:13:42,690
Not.
Measured or spaced.

191
00:13:42,700 --> 00:13:47,410
In any precise way, but not
messy, and they're perfectly.

192
00:13:47,420 --> 00:13:52,160
Legible.
The lines are slightly uneven.

193
00:13:52,370 --> 00:13:55,110
As if they.
Were done without hesitation,

194
00:13:55,810 --> 00:13:58,900
painted directly onto.
The surface without.

195
00:13:58,910 --> 00:14:03,180
Planning.
There is no decoration around

196
00:14:03,190 --> 00:14:08,810
them, no underline, no added
marks, nothing to frame or

197
00:14:08,820 --> 00:14:12,190
emphasize them.
Just the words.

198
00:14:12,200 --> 00:14:18,480
Themselves set plainly against
the stone, I pass them at the

199
00:14:18,490 --> 00:14:20,140
same.
Speed I always.

200
00:14:20,150 --> 00:14:23,080
Do slowing down.
Just a bit.

201
00:14:23,150 --> 00:14:27,310
With no one around me.
The phrase stays.

202
00:14:27,320 --> 00:14:31,810
With me as I go by the shape.
Of it clear.

203
00:14:31,880 --> 00:14:38,130
Even as it moves out of view, I
continue along the road.

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The Cliff.
Disappearing behind me, replaced

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00:14:42,220 --> 00:14:47,950
again by trees and open.
Stretches the drive, carries.

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On.
The words.

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00:14:49,640 --> 00:14:52,660
Still in my head.
All good.

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00:14:54,100 --> 00:14:56,700
I think about how.
Simple it is.

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00:14:57,130 --> 00:14:59,700
How?
It doesn't need to be explained

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00:14:59,710 --> 00:15:05,740
or expanded into anything more.
It doesn't suggest that anything

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00:15:05,750 --> 00:15:10,280
needs to change right now.
It just exists.

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00:15:10,330 --> 00:15:14,090
Complete on its own.
The road.

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00:15:14,100 --> 00:15:15,450
Leads me.
The rest?

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00:15:15,460 --> 00:15:19,280
Of the way to my friend's place.
Where we visit for a few.

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00:15:19,290 --> 00:15:24,770
Hours, then gradually brings me
back again, looping through the

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00:15:24,780 --> 00:15:31,440
familiar reverse pattern of the
drive when I return the same

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00:15:31,450 --> 00:15:33,510
way.
The Cliff appears.

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00:15:33,520 --> 00:15:39,150
Again, now on my right side, the
angle slightly different.

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00:15:39,200 --> 00:15:45,550
But the words still clear.
This time, as I approach, I slow

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00:15:45,560 --> 00:15:49,570
down even more and pull over on
the shoulder.

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00:15:50,710 --> 00:15:55,380
I reach for my phone in my purse
and put the passenger side

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00:15:55,390 --> 00:15:59,580
window down.
I hold it steady.

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00:15:59,630 --> 00:16:04,640
Framing the words without
adjusting too much, I press the

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00:16:04,650 --> 00:16:10,050
button once, then again taking a
second image without checking

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00:16:10,060 --> 00:16:13,760
the 1st, I take another.
Look.

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00:16:13,770 --> 00:16:17,810
At the real thing, before
pulling back onto the highway,

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00:16:19,100 --> 00:16:22,610
the moment passes in the same
way it always.

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00:16:22,620 --> 00:16:27,130
Does the Cliff.
Receding behind me, the road

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00:16:27,140 --> 00:16:33,210
unfolding ahead, instead of
going straight home, I turned.

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00:16:33,220 --> 00:16:34,930
Toward the village.
Centre.

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00:16:36,320 --> 00:16:39,230
I see the store is still.
Open SO.

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00:16:39,240 --> 00:16:42,010
I park, go.
In and move.

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00:16:42,020 --> 00:16:44,650
Straight.
To the small photo counter at

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00:16:44,660 --> 00:16:48,540
the back.
The space is quiet.

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00:16:48,830 --> 00:16:52,340
Only the low hum of the machines
can be heard.

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00:16:53,810 --> 00:16:58,900
I connect my phone, select the
image without adjusting it, and

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00:16:58,910 --> 00:17:04,290
choose a convenient size.
The Prince began almost

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00:17:04,300 --> 00:17:10,349
immediately, sliding out 1 by 1,
still slightly warm.

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00:17:11,619 --> 00:17:14,910
I.
Gather them together, noticing

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00:17:14,920 --> 00:17:18,490
uneven lines, the spacing, the
way.

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00:17:18,500 --> 00:17:24,560
Nothing about it feels planned.
It looks the same as it did on

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00:17:24,569 --> 00:17:28,230
the roadside.
An uncomplicated message.

243
00:17:29,790 --> 00:17:34,580
I take them to the counter, pay
and step back outside.

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00:17:35,520 --> 00:17:39,750
I paused beside the.
Car looking down at the small

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00:17:39,760 --> 00:17:45,010
stack in my hands before placing
them carefully on the passenger.

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00:17:45,020 --> 00:17:49,250
Seat.
At home, the familiar quiet

247
00:17:49,260 --> 00:17:55,540
meets me at the door as I set my
keys down and slip off my shoes.

248
00:17:57,140 --> 00:18:01,990
I take one of the photos and
carry it to my bedroom, setting

249
00:18:02,000 --> 00:18:06,550
it on the mirror, tucking it
gently into the corner of the

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00:18:06,560 --> 00:18:11,870
frame so it stays in place.
It sits there.

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00:18:11,920 --> 00:18:13,510
Becoming part.
Of what I'll.

252
00:18:13,520 --> 00:18:18,520
See each morning and now there
it goes on to.

253
00:18:18,530 --> 00:18:22,440
The fridge.
Held in place with small flower

254
00:18:22,450 --> 00:18:28,240
magnets, it blends in with
everything else already there,

255
00:18:28,330 --> 00:18:33,120
but still stands old enough to
catch my attention each time I

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00:18:33,130 --> 00:18:37,980
pass the words.
Simple and encouraging among the

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00:18:37,990 --> 00:18:43,880
movements of the day.
The last one I place into a

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00:18:43,890 --> 00:18:49,600
simple greeting card.
No occasion, no reason beyond

259
00:18:49,610 --> 00:18:55,300
wanting to pass it on.
I slide it in carefully.

260
00:18:55,340 --> 00:18:59,180
Close the card.
And set it aside to mail it to

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00:18:59,190 --> 00:19:04,850
my friend I'd been to see.
To day, I think of the words on

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00:19:04,860 --> 00:19:08,230
the rock face and the times.
I drive by.

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00:19:08,240 --> 00:19:12,830
Without spotting them maybe?
The traffic is.

264
00:19:12,840 --> 00:19:19,430
Heavier or something else is on
my mind, but it never fails that

265
00:19:19,440 --> 00:19:24,640
I remember them somewhere along
the road that someone took the

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00:19:24,650 --> 00:19:29,760
time to paint those words,
leaving them there for anyone

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00:19:29,770 --> 00:19:34,760
passing by.
Even if it isn't all good in

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00:19:34,770 --> 00:19:39,940
that moment, their effort and
choice of kind words remind me

269
00:19:40,610 --> 00:19:43,470
that we're all moving.
Through this together.

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00:19:44,160 --> 00:19:50,790
Finding our way as we go I.
Wish you sweet.

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00:19:50,800 --> 00:19:51,630
Dreams.